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O que trazia o dossiê de candidatura — Fuvest 2000

The Sydney Olympics – billed as the Green Games – open in exactly 64 weeks, on 15 September 2000. In bidding for the Games, the Sydney delegates promised that theirs would be the most environmentally-friendly Games ever. But there are growing doubts that Sydney will deliver on its promises, even though Australia holds a commanding lead in the race to develop key environmentally-friendly technologies. The biggest single obstacle to the Green Games is the site itself. The land around Homebush Bay, in western Sydney, was an industrial graveyard previously used by chemical giants such as ICI and Union Carbide – infamous for the Bhopal plant leak on 3 December 1984 that poisoned thousands in India. Their legacy was toxic waste in unmarked sites. The bodies associated with the bid knew about this, and saw the Games as a way to clean up the mess and create a new community. Thus Sydney’s bid document featured a glorious artist’s impression of a ceremonial entrance on the waterfront, where, beneath fluttering bunting, Olympic athletes and grandees arrive from downtown on eco-friendly water taxis. It was, says Murray Hogarth, environmental correspondent of the Sydney Morning Herald, “an absolutely key facet of the bid”.

THE FRIDAY REVIEW The Independent 25 June 1999

Fonte: The Independent, 25 June 1999.

We can deduce from the passage that the bid document

  1. A) featured an impressive illustration of the glories of Australia's athletes.
  2. B) contained an artistic representation of the opening ceremony of the Games.
  3. C) was published in the Sydney Morning Herald.
  4. D) was prepared by Australia's most glorious artist.
  5. E) included Murray Hogarth's impressions of what the 2000 Olympics would be like.
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Resposta correta: B

O trecho diz que “Sydney’s bid document featured a glorious artist’s impression of a ceremonial entrance on the waterfront, where... Olympic athletes and grandees arrive from downtown on eco-friendly water taxis”. Artist’s impression é a ilustração que um artista faz de algo que ainda não existe, e a cena ilustrada é a entrada cerimonial dos atletas, ou seja, a abertura dos Jogos — alternativa B. D é o distrator mais tentador porque reaproveita as palavras glorious e artist, mas glorious qualifica a ilustração, e não o artista, que sequer é identificado. E confunde impression, no sentido de ilustração, com as impressões pessoais de Murray Hogarth, que no texto apenas comenta a importância do dossiê. A troca a entrada cerimonial pelas glórias dos atletas australianos, e C confunde o dossiê com o Sydney Morning Herald, jornal do qual Hogarth é correspondente.

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