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"She had given me a window into myself": o sentido da metáfora (ITA 2015)

THE MAN IN THE CONVERTIBLE

1 One morning, well after I was diagnosed with cancer, I got an email from Robbee Kosak, Carnegie

Mellon’s vice president for advancement. She told me a story.

She said she had been driving home from work the night before, and she found herself behind a man

in a convertible. It was a warm, gorgeous, early-spring evening, and the man had his top down and all his

5 windows lowered. His arm was hanging over the driver’s side door, and his fingers were tapping along to the

music on his radio. His head was bobbing along, too, as the wind blew through his hair.

Robbee changed lanes and pulled a little closer. From the side, she could see that the man had a

slight smile on his face, the kind of absentminded smile a person might have when he’s all alone, happy in

his own thoughts. Robbee found herself thinking: “Wow, this is the epitome of a person appreciating this day

10 and this moment.”

The convertible eventually turned the corner, and that’s when Robbee got a look at the man’s full face.

“Oh my God,” she said to herself. “It’s Randy Pausch!”

She was so struck by the sight of me. She knew that my cancer diagnosis was grim. And yet, as she

wrote in her email, she was moved by how contented I seemed. In this private moment, I was obviously in

15 high spirits. Robbee wrote in her email: “You can never know how much that glimpse of you made my day,

reminding me of what life is all about.”

I read Robbee’s email several times. I came to look at it as a feedback loop of sorts.

It has not always been easy to stay positive through my cancer treatment. When you have a dire

medical issue, it’s tough to know how you’re really faring emotionally. I had wondered whether a part of me

20 was acting when I was with other people. Maybe at times I forced myself to appear strong and upbeat. Many

cancer patients feel obliged to put up a brave front. Was I doing that, too?

But Robbee had come upon me in an unguarded moment. I’d like to think she saw me as I am. She

certainly saw me as I was that evening.

Her mail was just a paragraph, but it meant a great deal to me. She had given me a window into

25 myself. I was still fully engaged. I still knew life was good. I was doing OK.

Fonte: PAUSCH, R. The last lecture. New York, Hyperion, 2008. p.64-65.

Fonte: The Last Lecture (Randy Pausch, Hyperion).

A frase “She had given me a window into myself” (linha 24 e 25) expressa

  1. A) percepção que Robbee Kosak transmitiu de si própria para Pausch.
  2. B) visão reduzida que o autor transmitiu sobre seu lado otimista.
  3. C) aparência distorcida de uma personalidade extrovertida.
  4. D) constatação de que Randy Pausch não transmitia vontade de viver.
  5. E) percepção do narrador sobre algo de que ele não se dava conta.
Ver gabarito comentado

Resposta correta: E

Antes da metáfora, o narrador expõe uma dúvida sobre si mesmo: "I had wondered whether a part of me was acting when I was with other people. Maybe at times I forced myself to appear strong and upbeat... Was I doing that, too?". O e-mail responde a essa dúvida porque flagrou um momento sem plateia — "Robbee had come upon me in an unguarded moment" —, e é por isso que ele conclui "I was still fully engaged. I still knew life was good. I was doing OK". A janela se abre, portanto, para dentro dele: é a percepção de algo sobre si de que ele não conseguia se dar conta sozinho, exatamente o que diz E. A engana ao inverter a direção do olhar, como se a janela mostrasse Robbee; e D contradiz o texto, que descreve alguém "in high spirits", não alguém sem vontade de viver.

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