Pular para o conteúdo
English for ALL
← Todas as questões

ITA 2024: por que Virginia Woolf inspirou o Woolf Social Club

On the surface, there is little to distinguish the Woolf Social Club from any other hipster hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables, tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz trickles from speakers. On the white wall above the bar, in big black letters, is the statement: “More dignity, less bullshit”.

It is only on closer inspection that you realise this is more than just another coffee shop. On the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A bookshelf contains South Korean feminist novels and works of self-help (titles include “Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and “The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of feminist art at a nearby gallery.

“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old former advertising executive and politician who founded the café six years ago. Kim was inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred [pounds] a year and a room with a lock on the door”. That is, financial independence and a place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to entry for women who were merely curious, rather than fully committed to the movement. Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”

South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap between the sexes is the highest in the rich world. Traditional expectations about gender roles, beauty standards and the way women should conduct themselves remain pervasive. “Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no role models, so my idea of how a successful woman should be came straight from ‘Sex and the City’.” For much of her 20s and 30s, she spent most of her money on make-up and expensive handbags, partying every weekend and dreaming about meeting her version of Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.

“I never worried about misogyny because I thought being sexually attractive was a form of power,” says Kim. “But eventually I realised that men with real power don’t wear make-up and expensive dresses.” Her epiphany came when she was passed over for promotion in favour of a male colleague. “My boss said, ‘He needs it more than you because he has a wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed to do was work hard and be good at my job.”

Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it because he had been ignored by women. “I lived right around the corner, and I thought: that could have been me,” says Kim. Like many other women, she was upset by media coverage that ignored the misogynist motives for his crime and blamed it entirely on his mental-health problems.

The murder prompted South Korean women to come together, initially in online communities, and discuss how to fight back against sexism. Then they took to the streets. In 2018 there was a series of protests against the widespread practice of recording illegal footage of women by hiding small cameras in public toilets or changing rooms.

Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet, but it would be good to have a physical space in which to do that,” she says. “If you walk around Seoul, you see all these cafés aimed at couples, where women look pretty and lower their voices. I wanted a space where they could raise them.”

[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The Economist, 09/05/2022, <www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring- south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]

Fonte: The Economist, 2022-05-09.

Kim Jina was inspired by Virginia Woolf to open the Woolf Social Club because:

  1. A) both Woolf and the coffee shop founder share deep admiration for feminist writers such as Beauvoir and Atwood.
  2. B) Virginia Woolf is very admired by young hipsters in Seoul.
  3. C) the artist is present in a number of elements incorporated in the shop’s concept and design.
  4. D) both Virginia Woolf and Kim Jina praised economic autonomy and freedom of thought.
  5. E) the statement phrase written above the bar was actually uttered by Virginia Woolf.
Ver gabarito comentado

Resposta correta: D

O terceiro parágrafo é explícito: “Kim was inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred [pounds] a year and a room with a lock on the door”. That is, financial independence and a place to think.” A glosa do próprio texto traduz o dictum em dois valores — autonomia econômica e um espaço para pensar —, exatamente o que a alternativa D enuncia. Kim materializa esses valores ao criar “a space for like-minded women to meet and talk”, um lugar em que as mulheres possam levantar a voz em vez de baixá-la. A alternativa C descreve canecas, cartazes e estante, que são decorrência do conceito, não o motivo da inspiração. E a alternativa E atribui a Woolf a frase “More dignity, less bullshit”, que o texto apenas registra como cartaz na parede, sem autoria.

Questões relacionadas

Ver todas →

C1 Interpretação de texto Artigo de opinião

Ideia principal do artigo “It’s neither artificial, nor intelligent” (ITA 2026)
Leia o texto a seguir para responder às questões 46 a 48. The problem with artificial intelligence? It’s neither artificial, nor intelligent. Elon Musk and Apple’s co-founder Steve Wozniak have recently signed a letter calling for a six-month moratorium on the…

The sentence that BEST summarizes the main idea of the text is

Resolver questão

C1 Interpretação de texto Editorial

ITA 2026: o declínio da leitura entre adolescentes
Leia o texto a seguir para responder às questões 40 e 41. The decline of teenagers reading is an impact on education If you are a teenager reading this story, you are in the minority. Statistics show that 80% of teenagers do not read for pleasure on a daily ba…

De acordo com as informações do texto, é CORRETO afirmar que

Resolver questão

C1 Interpretação de texto Reportagem

ITA 2025 – Quais asserções sobre detecção de textos de IA são verdadeiras
As scientists explore AI-written text, journals hammer out policies Many ask authors to disclose use of ChatGPT and other generative artificial intelligence “It’s all we’ve been talking about since November,” says Patrick Franzen, publishing director for SPIE,…

Leia as asserções destacadas e, em seguida, assinale a alternativa CORRETA. I. Pesquisadores acostumados a ler artigos de periódicos médicos não conseguem compreender um terço das publicações. II. Por ora, editores e revisores de publicações científicas têm dificuldades para iden- tificar, de forma consistente, textos gerados por IA dada a escassez de softwares especializados. III. Responsáveis por publicações científicas estão relutantes em coibir o uso de geradores de texto por computador, temendo uma potencial enxurrada de críticas por parte da comunidade acadêmica. IV. A publicação de prospectos gerados por IA, contendo novas versões de alguns artigos científicos específicos, causou uma onda de choque na indústria editorial acadêmica.

Resolver questão